Growing up in Chicago in the 1970s and ’80s; I often felt like I didn’t belong. Sure, I had my family, which was for the most part loving and no more dysfunctional than any other family…though we might have been financially broker than most. But as a Black girl who dreamed of being the titular character in Harriet the Spy and later a bounty hunter or assassin…yeah, I was different.
My earliest school memories are of being in kindergarten and being seated behind a girl whose name was “Kate.” Kate was everything that I wasn’t: blue eyed and blond with a cool lunch box and even cooler school supplies. Even at five, I had started to internalize the deceptive and destructive messages that white was better, though it would take decades before I could even begin to unpack that. I just knew that the girls who looked like Kate seemed to be treated better than me. As the years went on, the Kates of the world were my nemeses; they were everything that I could never be. In high school it only got worse. When I should have been discovering young romance, I was doomed for a life of always a friend and never more because I was seen as “pretty for a Black girl.” That is a phrase all too often used for Black women whether directly or indirectly but , in fact, a young dude used that exact wording with me in the 10th grade and I have never forgotten the sting of those words and the feeling of rejection. The truth is even now, occasionally my 16-year-old self rears up inside my 43-year-old body. I am too rarely seen as a pretty woman but as someone who would only truly be pretty if I were white. Too often I’m only desirable as some fetish object or as an exotic distraction, if I’m found desirable at all.
Always an avid reader, I immersed myself in books only to still find myself longing to be what I could never be because at that time far too many of the fun and desirable characters in books were always white. Sweet Valley High anyone?
No, I could never be pretty enough but damn it, I could most certainly be weird enough. So in the late ’80s, I attempted black girl Mohawks and I wore Doc Martens and black lipstick while chain smoking my non-standard little cigarettes. I wore my grandfather’s old trenchcoats to my grandmother’s horror and I listened to music that scared the shit out of my folks and occasionally wore chains as necklaces. Fake ID allowed me to dance all night and drink too. It was my pushback against a norm that I knew I could never meet.
It would only be that when I finally made it to college in my mid 20s after marriage and motherhood that I would encounter classes that would shift my perspective and that would allow me to understand that this culture was the result of white supremacy and that women like me would never find a home in it. We would have to push back against it and work to claim and even reclaim our personhood and womanhood as Black women.
The thing about this system is that, to be honest, it’s not good for any woman. But it is downright toxic for Black women and girls. How do you exist in a place where you rarely if ever see yourself modeled? Where your representation is flat and two-dimensional and lacks wholeness? Where your humanity, dignity and worth is rarely validated or even acknowledged?
Raising my second and last child, my now-tween daughter, I am utterly aware of how Black girls in particular have to fight to be seen. How their intelligence is not assumed, how their soft spots are not recognized and how utterly dehumanized they are. And as a Black girl who has now become a Black woman raising a Black girl, I refuse to let this system have my girl…yet I know I am fighting a war that I may not win. There are moments when my daughter and I are talking when I have to fight my instinct to scream out and punch the air against this system that is already starting to sow the seeds of doubt in her despite my efforts to keep her safe. The subtle messages that she is just starting to internalize that subtly tell her that girls like her don’t have place. To live this life as a Black woman raising a Black girl understanding the psychic scars is something that only another Black woman knows and understands fully.
It’s why when Beyoncé’s latest album “Lemonade” came out that it has resonated so deeply with Black women beyond the story of alleged infidelity. “Lemonade” is an acknowledgment of Black womanhood put on display in a way that has rarely been captured. It is a celebration of Black female personhood in our full spectrum of human emotions with no hiding. I am hardly a Beyoncé fan but watching the visual album caused emotions to well up in me that have long been dormant and, based off the many pieces I have now read on this album, I am not the only one.
I have written before about how vitally important it is to see representations of ourselves and increasingly we are turning a corner where representations of Black womanhood beyond Mammy, Jezebel and Sapphire are starting to happen. While it gives me hope for the future, there are many of us for whom this shift is too little, too late. In the same week that we celebrate Black womanhood thanks to Beyoncé, pictures surfaced of rap star and legend Lil Kim who over the years has transformed herself from a gorgeous brown-skinned woman to a caricature of a white woman. Her appearance is heartbreaking because over the years, Kim has spoken about the pain of being just a regular Black girl and the pain of being dismissed because of it. This is the legacy of white supremacy and the toll it takes on Black bodies. Some of us reach a place where living in these Black bodies becomes too much.
Which brings me to the last story this week that has just gutted me as a person, a Black woman and a parent. A 16-year-old Black girl, Amy Inita Joyner-Francis was beaten to death in a school bathroom. A young girl walked into a bathroom at school and left on a stretcher being airlifted to a hospital and, within hours, is dead. We live in a world where even among ourselves seeing our own humanity has become increasingly harder to do and instead violence becomes our norm. Yet in many ways, violence against Black women and girls has been the norm since our ancestors, enslaved Africans, were brought to a land that was not theirs and forced to work and give life against their will. Many times having their children taken away from them. This is a nation and a culture that has normalized violence and dysfunction against Black women and girls.
But the pushback has started. And it begins with the recognition of Black female humanity and a tearing down of all that holds us back from full participation in the human experience. We’ve been here a long time; soon enough, we are going to make sure society does not ignore or disregard us any longer.
So, if you have been, wake up and take notice. We’re not going away; we’re not going to cringe in the shadows.
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3 thoughts on “On Black women, girls and a side of Lemonade”
Black women have started to love ourselves loudly and that makes some people very uncomfortable. Were we supposed to wait for you to love us first?
Thank you my way back Doc Martens wearing sister. Beyonce images reminded of a movie Daughters of the Dust from the 90’s.
Your pain, a pain that I, a male and white, can never know, breaks my heart.
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